Showing posts with label Thor. Show all posts
Showing posts with label Thor. Show all posts

Thursday, 23 October 2014

Avengers: Age of Ultron - thoughts (and feelings) on the teaser trailer


Broken. That's how I'm feeling after watching the teaser trailer for Avengers: Age of Ultron, and it's no surprise, since all the Avengers seem to be broken as well.

The worrying thing is, this teaser trailer comes in at just over two minutes. How an earth will I cope with a two hour long film? Well, partially by analysing and filling in the gaps and coming up with theories for what I think is happening, which is exactly what I'm going to do with this teaser trailer. Warning: I'm not a Marvel expert, just a big MCU fan, and this post will be fandomish as all get out...

Ultron
For an evil entity, Ultron sure is appealing. Based on this trailer I wouldn't mind listening to James Spader read out the phone book. It would just be a very creepy phone book. 

We know that Ultron in the MCU is created by Tony Stark, and then the robot basically rebels and turns into a sentient being. Which clearly explains the narrative of this trailer, where Ultron crushes other robot suits and talks about having his puppet strings cut. It's frightening, but his words are also pretty poetic:

I'm going to show you something beautiful
Everyone screaming for mercy
You want to protect the world but you don't want it to change
You're all puppets tangled in strings
Strings
Now I am free
There are no strings on me.

The (old) Avengers
There is plenty to be worried about, based on the teaser, when it comes to Captain America, Black Widow, Tony Stark, Bruce Banner, Clint Barton, and even Thor, who as a god from another world should be relatively immune.

Tackling them one at a time is easiest, although there clearly seems to be a common thread running through their story lines in Age of Ultron - that of either being reminded of their dark pasts, or having dreams/nightmares about their pasts.

The Black Widow is probably the character we know the least about (aside from Barton), even though we've seen her a lot. Worry no more, or a lot more, because some of her past is clearly going to be revealed. That glimpse of a row of girls in severe black ballet costumes seems to be related to Natasha - I don't know how accurate or based on the comics it is, but Natasha as a ballerina or as being able to dance is a popular trope among the MCU fandom. Whether we get to see the Red Room, I couldn't tell, althought there is a glimpse of what I assume is a hospital trolley and some surgical equipment right after a shot of Natasha in an empty office block.

Banner is so, so broken in this film. There are two glimpses we get of Banner in the trailer which frighten me - in both he is slumped on the floor looking like he's just seen his nearest and dearest torn apart, and like he's about to lose his mind. On the plus side, there was a glimpse of the Hulk kicking butt, so perhaps it's not all bad.

Stark is clearly feeling some guilt here, and not making friends among the Avengers, if we're going by the scene in which Thor picks him up by the neck in a fit of anger. Although Thor and Stark have fought before, so there may be nothing to read into there (I doubt that though). And could Stark's words - "It's the end, the end of the path I started us on" - be hinting at the Civil War storyline at supposedly will make up the second phase of the Marvel movies?

I can't comment too much on Barton/Hawkeye, since he's such an unknown entity - we didn't get to know him in Avengers Assemble since he was brain washed for most of the film. What I can tell is that he's got a new costume, and I really like it.

Thor is another hard one to pin down. He's got some anger, which I've already addressed, but the two standout glimpses we get of him are distressing - the look of pain on his face as he is borne out of the water (no idea what's going on there), and the fact that he drops his hammer. What could cause Thor to drop his hammer? The guy is not afraid of much, so it would have to be something shocking.

But let me be honest here, it's Cap I want to speak about the most. Already a broken man from the events of Captain America: The Winter Soldier, it looks like things aren't going to get much better for Steve. He's in the midst of all the fighting scenes we glimpse, and is he looking for Bucky in that shot we get of him kicking down the doors the massive building that looks like it's somewhere in Eastern Europe? But it's that dream/nightmare scene we see, where Cap is in a 1940s dance hall, that has me worried. It's not a memory, because we can safely assume Cap never went to a dance hall in his new Cap body, but he did talk about it with Peggy, and with Bucky, in Captain America: The First Avenger.  What if this scene has Cap seeing Bucky, who he's been hunting for since The Winter Soldier (almost two years previous in the MCU timeline I think) and Peggy dancing together? My head canon is really making me miserable. 

But not as miserable as that shot of a limp hand by Cap's broken shield. I'd like to stick my fingers in my ears and shut my eyes and pretend that broken shield isn't real, since it's supposedly made of an unbreakable metal, and I can kind of believe that if I believe my theories about some other people in this film...

The (new) Avengers
So, Wanda Maximoff/Scarlet Witch has the power to alter reality in unknown ways, which leads me to theorise that some of the scenes we see of the Avengers suffering could come from her. What if she's altering what the Avengers see and hear? Eventually, Scarlett Witch joins the Avengers, but the last time we saw her she was locked in a cell and under the command of Baron Wolfgang Von Strucker (presumably somewhere in Europe if we're going by his name).

As was her brother Quicksilver, who in this trailer is the least angsty of the characters we've seen. Sure, he's shouting angrily alongside Scarlet Witch in a scene which Ultron narrates but mostly we see him moving very fast and fighting robots (at one point with Cap seemingly by his side/nearby).

Perhaps the scenes in Europe are where the Avengers find the Maximoff siblings, who I'm sure are good at the core, but who maybe don't start out that way. I don't think they're bad, but perhaps a little cautious, which makes them not trust the Avengers at first.

Everyone else
SHIELD has still not recovered, by the looks of it, although that won't keep Fury down. And I definitely caught a glimpse of Rhodey in the scene we see of the Avengers on the bridge. There's also a third female there I can't make out (Black Widow and Scarlet Witch being the first two, I think), possibly Maria Hill? Please be Maria Hill. And I'm sure someone said they saw the Vision in there somewhere, but I can't make him out yet. And I'm not sure what the creepy silver robots were, but they're not good.

Around the world
We've got some massively creepy looking castles, definitely in Europe somewhere, and also some scenes in snowy landscapes (Russia? Fits with the whole Hydra thing), and also in what is possibly South Korea (Cap having cars chucked at him). It seems the Avengers are truly going global in Age of Ulton.

Reaction
Basically, I've been broken since I saw the trailer, and there are a lot of reactions like mine out there. Here is one of my favourites though (and although this isn't a post about diversity, Bim Adewunmi has a point at number five...)



So what have we learnt from the first teaser trailer? Well, that Avengers: Age of Ultron is going to be painful. So I'm hereby setting up a support group. Let me know in the comments if you'd like to join - there will be lots of flailing, use of exclamation marks and swear words, and some cracking of hearts.

Wednesday, 30 October 2013

Film review - Thor: The Dark World starring Chris Hemsworth, Tom Hiddleston and Natalie Portman

Can you have too many superhero films? Not according to Marvel, who bring back Thor for his third outing on the big screen.

Two years after the events of the first film in the franchise (and after Avengers Assemble), Thor (Chris Hemsworth) is still trying to subdue the uprisings in the nine realms caused by the destruction of the Bifrost, all while pining after Jane Foster (Natalie Portman), who is holed up in London doing her science thing.

While Thor broods (with his top off for some of it - thank you, director) Jane heads out on a date - the first of many funny scenes in the film.

Because while Thor: The Dark World is trying to be a serious film (with limited success), where it really engaged the audience was with the comedy - the quick quips and moments like Thor hanging his hammer up on a coat rack had people in stitches, as did one scene between Thor and Loki (Tom Hiddleston), which I won’t spoil for you, but which had the second of two guest stars I completely wasn't expecting.

On the serious side, the interplay between Thor and his father Odin (Anthony Hopkins) feels a bit clunky, and the bad guys (a race of evil guys led by an unrecognisable Christopher Ecclestone who want to destroy the nine realms) are just bad guys, with little depth. This is not a perfect superhero film, but there are some really strong moments. Hemsworth’s boldness and kinglike strutting shows that this is his film - he's definitely a king, whatever anyone else says.

And the quieter moments, in between all the huge set piece fighting scenes (seriously, the Avengers can save New York, but they leave Greenwich in THAT state?) are brilliant too. There is a heartbreaking but beautiful scene roughly a third of the way through found me struggling to get rid of whatever was causing my eye to water.

But really, how can I talk about Thor: The Dark World without talking a bit more about Loki?

He’s so, so bad, but so, so good. Just the right side of pantomime villain, Hiddleston knocks it out of the park with his portrayal of the confident, cocky, sarcastic yet broken Loki, and the more I saw him on screen, the bigger my crush on him grew. Loki is a bit of a scene stealer in Thor: The Dark World, but no one can begrudge him his screen time - he'll have you laughing, crying and sighing in despair.

There are other characters who provide great support - Jane is as sweet and tough as she was in the first film and Idris Elba just exudes power as Heimdall - and then there are those who are a little caricaturist - mainly I'm thinking of Darcy (Kat Dennings), whose role is to be the sidekick and whose every action you could see set up miles off.

Despite its faults, Thor: The Dark World is a solid superhero film, and is perfectly set up for a sequel, so there’s no chance of Marvel getting tired of superhero films soon. Let’s hope we don’t either.

Thor: The Dark World is out today.

Sunday, 16 September 2012

DVD review: Marvel Avengers Assemble

a (Chris Evans) and Tony Stark (Robert Downey Jr.) in Avengers Assemble. Picture: Zade Rosenthal

"Phil Coulson died believing in that idea, in heroes. Well, it's an old fashioned notion."

Old fashioned it may be, but there's a reason we love superheroes so much, and it's all here in Marvel Avengers Assemble.

Captain America, Iron Man, the Hulk and Thor, they may not be a conventional view of heroes but that's the reason they work so well. Each has as many flaws as the average human being, but their actions elevate them to the status of superheroes.

I haven't seen the previous films leading up to Avengers Assemble, and while I think I would have benefitted from viewing them, this was still a brilliant watch.


The Avengers are brought together to fight Loki, an egotistical almost-god who wants to wreak havoc on earth as some twisted form of revenge for his own shortcomings. He harnesses the power of the Tesseract to open a portal that brings an army of mutant things and giant flying centipede types flowing into New York.

The film gets off to an action-packed start, with the blowing up of a research facility and the escape of Loki with the Tesseract. Having no other option Nick Fury, director of international peacekeeping agency S.H.I.E.L.D, calls together the Avengers.

What follows is two and a bit hours of spectacle and amazing fight scenes, all held together with a simple but effective plot - the good guys must win.

The numerous fight scenes, which are essential to the story, never seem gratuitous. Instead, they show us more and more about the characters, about their motivations and emotional states and their struggles to be who they want to be, and who society expects them to be.

Black Widow (Scarlett Johansson). Picture: Zade Rosenthal
The effects are amazing. So much of what we see on screen is actually green screen, yet the actors never look out of place or awkward.

Directed by Joss Whedon, who has a history of just being brilliant (see Buffy the Vampire Slayer, Firefly, etc) Avengers Assemble was never going to be a film afraid to gear itself towards sci-fi geeks - there are so many little details that would make the geekiest of fanboys and girls (like me) happy. Among the bits geared towards geeks is the launch of the giant S.H.I.E.L.D ship into the air, which is all the more jaw-dropping as you see it through the eyes of some of the characters unused to S.H.I.E.L.D. Yet at the same time, the film is mainstream enough that the average viewer wouldn't feel confused watching what's going on.

For all its high tech scenes, the best moments are those which show the heroes at their most human, or that involve those who have no super powers - Captain America and Iron Man constantly arguing, the Black Widow having to recall her past, even Loki's egotistical, sometimes childish attitude is an all-too-familiar human reaction, although magnified.

The most emotional moment for me came during a very human scene of loss and hope featuring one of the only non-superhero characters we get to know - the aforementioned Phil Coulson. It's Agent Coulson who inspires the superheroes the most, showing the real power belongs to those who seemingly have no power.

Loki (Tom Hiddleston). Picture: Zade Rosenthal
On the opposite end of the scale to the kind, principled Agent Coulson is Loki, the maniacal baddie of the film. Yet, I still loved him. Tom Hiddleston created a bad guy who really drew you in, and however heinous his behaviour there was always something compelling about him - the mark of a truly successful bad guy. Ultimately though, like the best bad guys, it was his need to be more that led to his downfall.

Unconventionally the end of the film wasn't the usual bad guys die, good guys prevail and are heroes kind of thing. It was much more complicated than that, and all the better for not adhering to cliche.

Avengers Assemble is two and a bit hours of pure adrenaline, a real rush to watch, and I can't wait for the sequel.

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